The Secret River Shows Essay Example

The Secret River Shows Essay the Secret River shows that even individuals who are basically acceptable can carry out terrible things. Talk about. The Secret River by Kate Greenville is a novel set in the nineteenth century, where William Thrill who is from the ghettos of London, is sentenced to New South Wales, Australia for the term of his normal life. With his better half and kids he encounters an unforgiving area and need for more than he at any point figured he would be equipped for having. Anyway this land accompanies the difficulty of the obscure Aboriginals. Through this novel we are persistently given the issue that great individuals can maybe carry out promotion things. Be that as it may, what characterizes the great individuals and the deeds to not be right? Who are the characters that depict this? What's more, are there any who ascend above from this censuring sentence? Great individuals can carry out awful things is even more a reality to humankind then an inquiry. We see this happen every day, with the presidents, leaders, evidently great big names going to things that are considered in our lives as off-base. Along these lines it is just sensible that it be joined in books, which imitate life. Anyway we should initially ask ourselves what is acceptable? What's more, what are shrewd deeds? Such expansive inquiries, but then hen given situations, individuals rapidly distinguish for themselves the contrast among great and malevolence. However, the setting of novel changes the perusers sees. Notwithstanding the way that the principle character, William Thrill, is a persistent stealer, Greenville presents his demonstration of taking as a physical need, and in this manner he wins the compassion of the peruser. We will compose a custom exposition test on The Secret River Shows explicitly for you for just $16.38 $13.9/page Request now We will compose a custom paper test on The Secret River Shows explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer We will compose a custom article test on The Secret River Shows explicitly for you FOR ONLY $16.38 $13.9/page Recruit Writer Later on when in Australia and he is by and by getting the propensity for taking, which our general public would Judge as horrendous, the peruser can without much of a stretch forget about it, and not consider it to be an appalling deed by any means. Our perspectives on the great individuals are controlled and formed by the creator all through the whole novel, and we wind up putting the perspective on society awful deeds being dismissed when our creator presents them in great light. The minor characters were investigated by the writer, and afterward further by the peruser around there. Sarah Thrill, known as Sal for a large portion of the novel, is Williams spouse who is depicted all through the novel as a solid, extraordinary ladies. Anyway in light of the fact that we just observe the novel from the eyes of William Thrill, we don't have any acquaintance with her as anything so horrendous, for William dollied Sal from the earliest starting point of the novel. Notwithstanding despite the fact that she is so flawlessly introduced by the creator, in any event, when she takes just because, we see her submit a terrible deed while in Australia. This deed is submitted through dread. We see her clasp her kid Johnny on the ear, and what happened was that dread could slip unnoticed into outrage, as though they were indeed the very same. (IPPP) This is one of the main occurrences where we see Sal accomplish something out of her great character that is an awful deed. The Aboriginals are an alternate case through and through. For despite the fact that the fundamental character doesn't generally reveal them in great insight, they are sensibly acceptable individuals o. We see that William starts to comprehend this after they consume a portion of the land, which later the grass grows up and the kangaroos approach. An astute technique to acquire meat. We read what they look like after the land they call theirs, despite the fact that they dont have any structures or fences, and that they are commonly tranquil individuals. Anyway in light of the fact that they have lances to ensure them , may I advise you that the regular people had weapons, and they resort to brutality when they are not seen unmistakably enough by the regular folks, they are one more case of good individuals, carrying out awful things. Anyway it is their terrible deeds that are exceeded as more regrettable than appears by the racial bias of characters in the novel. However it is a direct result of the individuals that attempt to comprehend the aboriginals in this novel that how we are additionally ready to identify over them. Another intriguing character who shows this subject of good and malevolence is Willie Thrill, the principal child of Sal and Will. As a kid he is obviously observed as blameless, or on the grounds that he needs understanding, neither great nor awful. Anyway when the novel creates we see this harsh kid who holds a racial partiality towards the aboriginals, a kid who says that they ought to get the firearms and fire them now. A kid who we start to be uncertain of in view of these merciless words originating from this mouth of a youngster. In spite of that he isnt a created character through the book, he is one more various case of the great doing awful, and maybe in any event, getting awful. For we are our activities, would we say we are most certainly not? The most perceptible character of this topic if obviously, William Thrill. As recently referenced he submits acts that would be viewed as awful, anyway he is consistently painted as a decent character. The peruser likes the manner in which he finds the examination in London crooked. The peruser appreciates learning of his fantasy to turn into a decent man, similar to Mr. Middleton, Gals father. The greater part of all, he totally negates any convict generalization; of these horrible men that carried out horrendous things. When brought to Australia we despite everything see him in great light, he ceaselessly advises himself that he wouldn't like to slaughter the aboriginals, or mischief them by any means. He starts to comprehend their ways and sees that they are not awful as essentially assumed. Anyway in spite of the entirety of this, he submits deeds that are viewed as degenerate. His character is additionally changed and created. His total and articulate want for the land, assumes control over him. His need to scale the stepping stool of society, where each man [was] higher than one, lower than another (pop) drives him to submits deeds he never needed to submit. Despite the fact that he comprehends that he is in certainty taking a land that isn't unfilled, and has a place with the Aboriginals, he keeps on being insatiable. At the point when he is given a limited quantity of intensity, for example, when he is given two convicts to run over, he treats them the manner in which he could never need to be dealt with. He acts diverse around the blacks, with greater predominance. At the point when the blacks attack his hard worked corn fix, he goes to mercy, hitting the ladies and kids that are taking his corn. This displeasure towards the blacks; for being in the land he urgently expected to consider his own, for taking the things he had buckled down on, for making Sal need to leave the spot significantly quicker, is the thing that pushes him to do the most noticeably terrible act in the entire novel. The slaughter. In which Thrill is for the most part befuddled, yet he despite everything murders Whisker Harry, a senior native. After this occurrence we should assess whether we despite everything consider Thrill to be acceptable or not. Provided that he is Just an awful individual carrying out terrible things, at that point there is

CDA analysis Essay Example | Topics and Well Written Essays - 750 words

CDA examination - Essay Example In this manner, the chose component is a talk, and its examination has three measurement: as a book, sentence-by-sentence, and the words and expressions assessment. Right off the bat, the content in general is near the class of political discourse, since its substance is for the most part dependent on the discourse made by Michelle Obama. In this specific situation, it has her immediate citations both in the content and in the video. Be that as it may, the substance and the remarks on the discourse cause this talk to take after the cut of life kind with easygoing style of composing, which implies that the Guardian gave the discourse itself its abstract reflection on it. On the edges, the specific ideas that join content are two fundamental personalities †from one viewpoint, it talks about â€Å"ethnicity,† â€Å"black race,† and â€Å"African Americans† (it alludes to both the speaker and to Tuskegee University understudies); on another hand, the family esteems show up in the content as â€Å"my husband’s chances,† â€Å"my girls,† and â€Å"kids and families.† Moreover, these two characters are in various situation regarding foregrounding and backgrounding, on the grounds that toward the finish of the content there shows up the end that â€Å"folks like you and me† (which means the race) must have confidence in their latent capacity (which means acknowledgment in family life). On the instances of oversight inside the content, it doesn't make reference to any legitimization of first lady’s words with the realities from her history; at the end of the day, perusers have only to fall under passionate impression in what is given in the content. Also, the voice of white open is disregarded by this talk, as the African American first woman addresses the â€Å"mainly dark graduates.† Although, the content incorporates even intertextuality, as it has two direct citations from different renowned individuals on a similar point. Despite the fact that they have inverse assessments, the article doesn't uncover any help to them and gives just short data on their

Data Center Fabric How Facebook Redesigned its Data Center Network

Data Center Fabric How Facebook Redesigned its Data Center Network Facebook has built a reputation of being a pioneer and innovator, introducing new concepts that eventually stick. In fact, it is safe to say that Mark Zuckerberg’s baby was primarily instrumental in changing the face of the internet as we know it today, fully realizing the potential and meaning of the word “social” in social networking. Ever since founding in 2004, Facebook has continued introducing new ideas and concepts, and one of the more recent ones is its new data center networking architecture, which it called “data center fabric”. © Shutterstock.com | Mark AgnorIn this article, youll learn 1) why Facebook changed its data center architecture, 2) how the new data center fabric works, and 3) what are the benefits.A CALL FOR CHANGEHumans, by nature, are never satisfied. They are bound to look for something more â€" bigger, better, faster. This is actually a good thing, since it also forces developers to look for better ways to offer their services and products. Despite the fact that Facebook is now one of the largest and most successful businesses in the world, the brilliant team behind it is continuously working hard to improve its features and offerings.Facebook reported a total of 1.44 billion monthly active users in its First Quarter report for 2015. That is a lot of people making use of Facebook, so we can only imagine the demand in terms of performance. Several years down the road, that number will definitely grow exponentially, and so Facebook is taking steps to optimize its internal application efficienc y and to keep up with that growth.The end user normally does not care about what goes on behind the scenes. As long as he can log on to his Facebook account, post status updates, read whatever appears on his Timeline, stream videos and whatever else one normally does on Facebook, then they could not care less about the technical stuff.However, it pays to get even a little bit of an idea on what makes Facebook work, and that is mostly down to its data center networking architecture.The Old DesignThe design of the previous data architecture used by Facebook is hierarchical.According to Najam Ahmad, the Director of Network Engineering in Facebook, Facebook’s data center networking used to follow the server clusters approach. It involved groupings of many machines and equipment, which are the clusters. There was nothing really wrong with it, and it was actually working quite fine, but there were several points that they thought could have been better. One particular point he cited was the limitation brought about by the size of the switches that are available.As the usage increased, there was a corresponding rise in the demand for a bigger switch. It was directly proportional: more users meant more bandwidth, which means more racks added to the cluster which, in turn, calls for a bigger switch. They can, of course, always buy a bigger switch, but there is that one possibility that they might have the biggest switch, and still they would need another, bigger one. It will just go on and on. Sooner or later, they will hit what Ahmad called a “dead end”.There is also the issue of Facebook being at the mercy of its vendors supplying the networking devices needed to maintain its data center. There are only a limited number of vendors for huge networking devices, and there is that great possibility that there will no longer be a vendor who will be able to supply a network device or switch that will be able to accommodate Facebook’s ever-growing clusters.Speed was also be compromised. The bandwidth infrastructure is bound to suffer in terms of speed when there are simply too many ports operating. There is a risk of overload or oversubscription and, as most of us now know from personal experience, overloads can lead to potential failures of hardware and software performance.Thus, this called for a change, something that will address this issue and actually provide more benefits to all users. Hence, the Data Center Fabric.THE DATA CENTER FABRICInstead of a hierarchical system that has the risk of being oversubscribed, the new design turned the whole Facebook data center into a single high-performance network. The role of the data center fabric is simple: to enable Facebook to account for, and handle, all the traffic it gets, without its system slowing down. Basically, it is tasked to distribute traffic in the data center of Facebook and, in the event that something goes wrong in the data center, perform the necessary repairs or fixes.In the ne w design, Facebook has decided to veer away from its server cluster approach and, instead, make use of a core-and-pod approach where the groupings of machines and equipment are replaced by smaller physical pods. This is not really an entirely new approach, since it is also used by Google and eBay. Facebook just came up with its own redesign concept that serves its specific needs and user demands.In this design, “core” refers to the data center network core. The standard unit of network, compute and storage is a server pod â€" which is described by Ahmad as “just like a layer3 micro-cluster” â€" and within each pod are servers or racks. These identical server pods are built for high-performance connectivity among them within the data center, with each server pod served by four fabric switches, also known as “Six-Packs”. These fabric switches carry with it the same features and advantages that the old design for server rack TOR uplinks had. Thanks to these switches, every node on the network is connected, and can share data easily. It also allowed room for scalability, in the event that there is a need to do so in the future. Essentially, one server pod has 4 fabric switches and a corresponding 48 top of rack (TOR) switches. That is an impressive drop from the previous Facebook data center design, which involved a pod size consisting of 255 racks.Instead of moving on to a larger switch to accommodate increasing bandwidth and power usage, the action taken will be the deployment of pods. Basically, they can deploy as many pods as they like, or as needed. This is quite the more preferred setup, since there is no limit to how much and how often the pods are deployed; unless, of course, you run out of power, or there is no longer any physical space available.As explained by the designers of the data center fabric, they created four independent control “planes” of spine switches, and each of these switches are made to be scalable up to 48 independent d evices. Of course, the scalability of these devices are only within the plane they are in. One pod has four fabric switches, and each of these switches will then connect to each spine switch that is also within the same plane. These pods and planes make up the modular network, which contains hundreds of thousands of servers.The infrastructure design philosophy of Facebook is pretty simple: for it to be able to move fast and support the rapid growth of both “machine to user” and “machine to machine” traffic. The latter is what is addressed by the current shifts and changes made to Facebook’s data centers.BENEFITS OF THE DATA CENTER FABRICChange is good, but how good are they, exactly? What are the improvements that we can expect from the redesigned architecture?Data center space is maximized.This pertains to both virtual space and physical space.The new design will help Facebook make better use of its current data space. It will no longer be limited by the size of the avail able switches, because it has shifted to deploying pods instead.Unlike the clusters, the pods are much smaller, so they can efficiently fit into pretty much any data center floor plan. It also dispenses with the need to look for and secure larger switches, because the four fabric switches that are required are only of basic or average size.Worries about physical space are also lessened considerably, if not completely eliminated. Just think: there is no longer a need to map out a floor plan for the data center, figuring out where to physically put which machine. The Data Center Fabric already provides a virtual layout of all the physical machines, and all that is needed to be done is to follow that layout.Provision of room for growth.In every aspect of the data center fabric’s design, it is to be noted that scalability was always taken into consideration. It was designed to be highly modular, so scaling capacity is facilitated within the framework. Scalability can be accomplished b y adding server pods, edge pods, spine switches, edge switches, and scale uplinks.In order to make room for gradual scalability, in anticipation of increased user demand (and it will happen, if the current trend continues), the entire network was designed as an end-to-end non-oversubscribed environment. This allows Facebook to increase its capacity bit by bit, or in greater leaps, depending on what the circumstances demand.Simple, robust and modular internal architecture.Contrary to initial reactions to Facebook’s new data center fabric, the new design is actually simple and robust. The data center fabric was built by the engineering team by using a routing protocol in the form of standard BGP4. The connectivity requirements from core to pod and vice versa are kept as generic as possible. This is to ensure design freedom, in case there is a need to change the technology used in the pods in the future. (At the rate that technology is changing, there is a high probability of that ha ppening.) The in-house developers alsoproudly claim to have stuck to using “only the minimum necessary features” again, for scalability purposes, as well as ensure performance is optimized.Port density was one of the issues encountered in the previous design and, since that is already addressed in the new core-and-pod approach of the data center fabric by making the port density of the fabric switches significantly smaller, it is certainly something to be happy about.In the cluster approach, one of the pet peeves of anyone maintaining the physical data center, is having to deal with a complex and often confusing cabling infrastructure. Too many equipment and machines connected together by wires and cables can be a source of headaches. The new Data Center Fabric lessened this problem somewhat: cables are shorter, there are less machines involved, and there’s no complicated network of wires and cables.This also results to a reduction of the time it takes for the flow of work to be completed. The Data Center Fabric was first implemented in Facebook’s data center facility in Altoona, and results show that the length of time for its site network turn-up is considerably shorter.Better network performance.The network performance is also scaled up, since uplink capacity on the fabric switches of the pods are reserved for every downlink port to a top of rack switch.The uniform or identical design of the pods and how they are made to connect together also contribute greatly to upping the performance of the network. This modular network can be scaled to “multi-petabit bisection bandwidth”, so oversubscription is not going to be an issue.Improved external connectivity.The data center fabric also paid attention to external connectivity by having a number of edge pods that can provide up to 7.68Tbps on their data center sites. These edge pods are also scalable to 100G. External connectivity is further enhanced by assigning higher port speeds.Better performance o f applications.It is a fact that an application will only perform as well as the network. Even if the application is excellent, if there are network problems, then users cannot make the most of its features.This limitation is addressed by the new data center fabric, which allows application developers to develop apps outside of the more limiting cluster-type environment. The result would be more flexible, faster and better applications.Simple to operate and low-maintenance.This is primarily an advantage for the engineers of Facebook. By nature, systems and networks are complex. However, thanks to automation and design principles, the level of complexity can be greatly reduced.Usually, problems or issues may arise within the network, and the engineers would get down to fixing the problem. The Data Center Fabric was built with an exclusive configuration-management software, which is able to automatically configure a white box in accordance with the specifications of Facebook. The engi neers are no longer required to be on hand to tweak or adjust anything.The same is true with the scaling process. The engineers no longer have to physically and personally deploy more pods, or add more switches or devices to the data center. The software will also do the work. It will recognize the need for new devices and adds what is required. It will then automatically recognize the new addition and set it up or configure it â€" again, conforming to Facebook’s specs.The engineers are also spared from having to manually troubleshoot problematic boxes. The configuration-management software is also able to simply put the problematic box “out of commission” and create a new one. It’s like wiping the slate clean and starting afresh.Cost and functions streamlining.Think of all the money that goes in purchasing or leasing space for your data center. If you have so many machines of large sizes, you would naturally require a large space to hold everything in. The Data Center Fabri c’s use of small pods is certainly more physical space-efficient, so that is certainly a source of cost savings.Similarly, engineers no longer have to devote most of their work hours monitoring the data center. Since the Data Center Fabric is pretty much self-regulating, thanks to the configuration-management software, they can concentrate on more, newer projects instead.The devices are smaller, and they are simpler. Thus, they are easier to troubleshoot. There is really no need to bring in the “big guns” and spend a lot of money to fix massive problems, since they can be taken care of at the lower level.Ready sources of devices and components.In the previous architecture, one of the stumbling blocks was the limited number of sources of the large-sized networking devices for the clusters. Since the components in the Data Center Fabric are small to mid-size, there are multiple sources or vendors to choose from.Normally, upgrading your data center also entails upgrading to high- end hardware. The simplicity of the new Data Center Fabric made it possible for Facebook to stick to simple (and less expensive) hardware.Facebook’s network engineering team succeeded in creating a data networking architecture that is effective and efficient, while keeping things simple. Although implementation is still on a limited scale, we can definitely expect it to be fully operational in all of Facebook’s data centers. The initial reaction of many is that the new design is specific only to Facebook. For now, perhaps, it is, but there is no doubt that it may also be applicable to other enterprises and companies. After all, if you take note of the principles behind it, they apply to pretty much any data center, not just Facebook’s.

Diagnosis Of An Informal Caregiver - 1659 Words

During the stages Alzheimer’s in which the resident is in need of care, but that care is not too complex, it is most common to turn to an informal caregiver. According to the 2016 Alzheimer’s Disease Facts and Figures (2016), â€Å"In 2015, caregivers of people with Alzheimer’s and other dementias provided an estimated 18.1 billion hours of informal (that is, unpaid) assistance, a contribution to the nation valued at $221.3 billion† (p. 32). Informal caregivers are mainly daughters and spouses of the residents. Females make up the majority of family member caretakers, but it is becoming more common for men to take on this role (Brodaty Donkin, 2009). Roughly a third of the caretakers in the United States are over the age of sixty-five and the majority are married or are in long term relationships. It has also been found that around 23% of caretakers for residents with dementia also have their own children under age eighteen (Alzheimer’s Association , 2016). This can increase the level of stress that the caregiver faces, as he or she is being stretched in different directions. Informal caregivers take on the role of caring for the resident for a number of reasons. One of which includes the fact that they believe that they owe a debt of gratitude to their loved ones. Other reasons include a feeling that it is what they should do regardless of whether or not they want to or because they believe that it will provide them with a feeling of fulfillment. Those who choose to take onShow MoreRelatedA National Profile Of Family And Unpaid Caregivers920 Words   |  4 Pagespopulation of informal caregivers that devote a significant amount of time and resources to caring for older adults with impairments. However, due to the informal nature of these caregiver relationships, there is a lack of knowledge and understanding of this population. In â€Å"A National Profile of Family and Unpaid Caregivers Who Assist Older Adults with Health Care Activities (2016)†, Wolff and colleagues highlight the importance of understanding the responsibilities of caregivers an d how this mayRead MoreChildren And Caretakers Of Children1073 Words   |  5 Pagesrole of caretaker especially difficult for these caregivers (Searing, Graham, Grainger, 2015). It may seem as if caretakers of children with ASD whose abilities are low would be faced with more than they are able to handle. Can a parent properly care for the child, any other children, have a job, keep a home, maintain a healthy marriage, etc? Support is necessary to give these families the chance to succeed, and it can take the form of informal or formal support. One study out of New ZealandRead MoreAlzheimer s Disease : The Most Prominent Health Issue3029 Words   |  13 Pagesthe most prominent health issue in older adults. 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Risk Assessment in Mental Health Mental health services can manage risk and safety more effectively by involving service users in planning for safety. However, conventional clinical techniques of risk assessmentRead MoreDementia And It s Types Essay1429 Words   |  6 Pages diabetes, hypertension and smoking. A history of cerebrovascular disease, brain trauma, and vasculopathies also increase the risk. Mediterranean diet and higher level of education are shown to decrease the risk of developing alzheimer s. Diagnosis Diagnosis of the disease requires direct microscopic examination of brain tissue. Early warning sign is characterized by mild cognitive impairment. This mild cognitive impairment can be detected through physical tests, neurophysiological tests and biochemicalRead MoreEnd of Life1294 Words   |  6 Pageschronic disabilities of all ages, this â€Å"informal care† can be substantial in scope, intensity, and duration. Family caregiving raises a few issues that should concern nurses in all settings. First, caregivers sometimes require as much attention as the patient facing the end-of-life circumstances. They become secondary patients to the nurse, who need and deserve protection and guidance. The nurse charged with care for the dying patient must support the family caregiver with ways to protect their healthRead MoreMany Americans Prepare For Adulthood By Pursuing Careers,1550 Words   |  7 Pagesage and how it will impact our families. As stated by Greg Link in his journal, â€Å"The Administration for Community Living: Programs and Initiatives Providing Family Caregiver Support†, â€Å"for many older people, the ability to remain living at home in the community is often contingent upon consistent support provided by a family caregiver† (Link, 2015, p. 57). In essence, the authors point is that in order for older adults to live with dignity and age in place in their homes they require assistance from

Attitudes Towards Love in Poetry Essay - 2637 Words

Attitudes Towards Love in Poetry Love is an emotion that has been felt by people throughout time. It is extremely difficult to put any strong emotion into words, but through the pre-twentieth century ‘Love and Loss’ poetry we are able to see various different attitudes shown towards love and the way that love is conveyed through relationships. The poems referred to in this essay are â€Å"First Love† by John Clare, â€Å"How Do I Love Thee† by Elizabeth Barrett Browning, â€Å"A Birthday† by Christina Rossetti, â€Å"A Woman to Her Lover† by Cristina Walsh and â€Å"My Last Duchess† by Robert Browning. By studying the love and loss poetry, the poets lives and the cultures they lived in, it is easy to see why people have different perceptions of†¦show more content†¦Again this is death imagery and could be being used to symbolise the fact that this love is bringing pain. The way Clare uses verbs in this poem is dramatic and emphasises how strongly love is affecting him. He uses verbs such as ‘struck’ and he describes blood as burning around the heart. These images are violent and show the painful side of first love. However being a country man and growing up in Northamptonshire Clare uses country images with which he is familiar to describe the more pleasant, although still intense, side to love. Clare describes how the woman’s face â€Å"bloomed like a sweet flower†. Not only do these natural images show that he enjoys this love, but that he is also comparing her to a flower which to a country man would be beautiful. It appears that Clare’s attitude to love is that it is extremely overwhelming and intense. He says it â€Å"Seemed midnight at noonday.† This man’s love has turned his world upside down, and he appears confused. It has affected his mind and body and this is conveyed in the words â€Å"My legs refused to walk away†. From studying Clare’s background it is known that he fell in love at an early age but had to part from this woman. However he never forgot her, even when married in later life. This is shown in the last two lines of â€Å"First Love†: â€Å"My heart has left its dwelling place And can return no more.† ClareShow MoreRelated Attitudes Towards Love in Pre-1900 and 1990s Poetry Essay3035 Words   |  13 PagesAttitudes Towards Love in Pre-1900 and 1990s Poetry â€Å"The Despairing Lover† written by William Walsh was written pre 1900 whilst the second poem â€Å"I Wouldn’t Thank you for a Valentine† by Liz Lockhead was written in the 1990’s. These poems are almost a century apart. Attitude towards love changes over time and these poems represent this. I Wouldn’t Thank you for a Valentine is about how people think about Valentine’s Day in the 1990’s, while The Despairing Lover is showing what people thinkRead MoreAmoretti Xxx : My Love Is Like To Ice, And I To Fire By Edmund Spenser1598 Words   |  7 Pagestimes change, the media created during those times change as well, and either consciously or subconsciously reflect the ideals and attitudes of society. Specifically, writers have deconstructed, examined, and put love poetry back together; writers have provided varying opinions and interpretations regarding the motif of love. In the Elizabethan Era, poets idealized love and ignored all potential hardships. In the Victorian Era, the concept of problematic relationships had gained popularity, but poetsRead MoreJohn Donne Love Poetry1442 Words   |  6 Pageslies is that, in poetry, all facts and all beliefs cease to be true or false and become interesting possibilities†¦It may not, perhaps, be absolutely necessary that he believe it, but it is certainly necessary that his emotions be deeply involved, and this they can never be unless, as a m an, he takes it more seriously than as a mere poetic convenience.† It is Donne’s sensibility and his personal experiences which are revealed with a vibrancy of language in his love and religious poetry that make himRead More17th Century 16th Century Poetry947 Words   |  4 PagesHow is the poetry of the 17th century different from the poetry of the 16th century? The poetry of the 16th century and the poetry of the 17th century were mainly lyrical. However, this similarity of expressing personal thoughts and feelings did not prevent major differences between both periods whether in themes or in structure. Poetry in Elizabethan time was based on courtly love conventions which included conceits and complements. Themes such as the unattainability of the lady, sleeplessnessRead MoreThe Broken Heart a Poem by John Donne Essay754 Words   |  4 PagesBeing a human being comes with several feelings and experiences that shape who we are, some favourable and beneficial some shattering and distressing, one of the most common is that of love, Love is the single most celebrated human emotion, though nevertheless love can end in heartbreak. A broken heart can be considered a painful empty feeling or the writhing of the soul. The Urban Dictionary defines a broken heart as ‘the feeling of complete devastation, and extreme sadness after a break-up of aRead MoreEssay on Maya Angelou1185 Words   |  5 Pagesthrough many controversies during her childhood and adulthood; her romantic life was never joyful and there are questions that come consecutively in my mind: how does Angelous Artful Po se demonstrates the attitude toward writing of her poetry? How In a Time does reveal Angelous ambivalence to love? Angelou describes her feelings in everything she writes, and one thematic element Angelou uses, is the theme of antithesis. For example, in the poem, Artful Pose this thematic element is obvious. InRead MoreAmerica, by Claude McKay Essay1103 Words   |  5 Pages The poem America by Claude McKay is on its surface a poem combining what America should be and what this country stands for, with what it actually is, and the attitude it projects amongst the people. Mckay uses the form of poetry to express how he, as a Jamaican immigrant, feels about America. He characterizes the bittersweet relationship between striving for the American dream, and being denied that dream due to racism. While the America we are meant to see is a beautiful land of opportunity,Read MoreEssay about Death in Life and Love in Dorothy Parkers Poetry529 Words   |  3 PagesDeath in Life and Love in Dorothy Parkers Poetry Dorothy Parker, an accomplished American poet, exposes the darker side of human behavior through her epigrammatic style of poetry. She believed that a writer must say what he feels and sees. She specialized in the hard truths, particularly about death, in both life and love. Some major motifs present in Parker’s work include loneliness, lack of communication between men and women, disintegration of relationships, human frailties, and theRead MoreElizabethan Poetry941 Words   |  4 PagesElizabethan Poetry I Drama dominates our syllabus but the Renaissance was a Golden Age not just for English drama, but also for English poetry. But what was English poetry? George Puttenham’s The Arte of English Poesie (1589) and Sir Philip Sidney’s The Defense of Poesie (1595): early attempts to think about English poetry as a distinct national tradition. 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Line a Very Special Love Free Essays

Dae as Sarah, Girl 1 and Mother. 0:00 – 0:04 – Brother: What are you gonna do of you meet him in person? (Starts Music) 0:04 – 0:07 – Sarah : I’m gonna love him! Good morning handsome! 0:08 – 0:10 – Narrator : A very loving girl†¦ 0:10 – 0:11 – John Lloyd : Where the hell is my coffee! 0:12 – 0:13 – Sarah: Oh! Coffee! 0:16 – 0:17 – John Lloyd : Who are you 0:18 – 0:22 – Sarah : I’m Layla Magtalas, applying for the position as an Editiorial Assistant. 0:23 – 0:24 – John Lloyd : You’re hired. We will write a custom essay sample on Line a Very Special Love or any similar topic only for you Order Now 0:24 – 0:25 – Sarah : (amazed) 0:26 – 0:29 – Narrator : plus a very unloveable guy :30-0:31- Guy 1 : I wish even his attitudes could also be retouched, right? 0:31 – 0:33 – Girl 1 : Maybe he’s just too pressured.. 0:34 – 0:37 – John Lloyd : Even a child can do this! Layla! 0:37 – 0:38 – Sarah : Yes Sir! 0:39 – 0:39 – John Lloyd : Tear it! 0:39 – 0:40 – Sarah: Oh Yes!! 0:42– 0:43 – Sarah:(Tries) 0:47 – 0:49 – Narrator: equals a very happy realtionship! 0:50 – 0:53 – Mother: those kinds of guys are the one who you’ll have to fall in line for. . 0:53 – 0:54 –Sarah: Okey, I’m gonna fall in line for him! 0:55 – 0:56 – John: Call Somebody else! :56 – 0:57 – Sarah: I am! 0:57 – 1:01 – Sarah: Oh I’m sorry. Not you, oh I mean yeah you, Oh who is again? 1:03 – 1:04 – Guy 1: (laughs) 1:05 – 1:06 – John: What are you doing? 1:06 – 1:08 – Sarah: Sundance sir, so the rain will not fall. 1:09 – 1:14 – John: (rains)You already knew the location is outdoors, has anybody thought that it might rain?! 1:15 – 1:18 – Guy 2: It’s not a good idea to revive the publishing company. 1:18 – 1:19 – John: Can’t you just stay away from me 1:19 – 1:23 – Guy 2: Oh yes we can, it’s our name your putting on the line. 1:24 – 1:25 – John(coughs) :39-1:44 – Sarah: If you think nobody loves you, then you’re wrong, I do†¦ 1:45-1:53 – Narrator: Starring John Lloyd Cruz and Sarah Geronimo. 2:00 – 2:05 – Mother: When you love, you’re mind should always be awake, you’re eyes should be wide open 2:06-2:09 – Narrator: In a very special film by Cathy Garcia Molina. 2:15-2:15 – Narrator: A very Special Love: 2:16-2:19 – Narrator: Showing on July 30, 2008 2:22-2:23 – John: Lock the door.. 2:24-2:26 – Sarah: S-sir, don’t 2:27-2:28 – John: Lock the door when you leave. 2:29-2:36 – Sarah: Ah, I though it was something else†¦. How to cite Line a Very Special Love, Papers

Note for American Literature Essay Example

Note for American Literature Paper The Philosophy of Composition is an 1846 essay written by American writer Edgar Allan Poe that elucidates a theory about how good writers write when they write well. He concludes that length, unity of effect and a logical method are important considerations for good writing. He also makes the assertion that the death of a beautiful woman is unquestionably the most poetical topic in the world. Poe uses the composition of his own poem The Raven as an example. The essay first appeared in the April 1846 issue of Grahams Magazine. It is uncertain if it is an authentic portrayal of Poes own method Poes philosophy of composition Generally, the essay introduces three of Poes theories regarding literature. The author recounts this idealized process by which he says he wrote his most famous poem, The Raven to illustrate the theory, which is in deliberate contrast to the spontaneous creation explanation put forth, for example, by Coleridge as an explanation for his poem Kubla Khan. Poes explanation of the process of writing is so rigidly logical, however, that some have suggested the essay was meant as a satire or hoax. [1] The three central elements of Poes philosophy of composition are: edit] LengthPoe believed that all literary works should be short. There is, he writes, a distinct limit to all works of literary art the limit of a single sitting. He especially emphasized this rule with regards to poetry, but also noted that the short story is superior to the novel for this reason. [edit] MethodPoe dismissed the notion of artistic intuition and argued that writing is methodical and analytical, not spontaneou s. He writes that no other author has yet admitted this because most writers would positively shudder at letting the public take a peep behind the scenes t the fully matured fancies discarded in despair at the cautious selections and rejections. [edit] Unity of effectThe essay states Poes conviction that a work of fiction should be written only after the author has decided how it is to end and which emotional response, or effect, he wishes to create, commonly known as the unity of effect. Once this effect has been determined, the writer should decide all other matters pertaining to the composition of the work, including tone, theme, setting, characters, conflict, and plot. In this case, Poe logically decides on the death f a beautiful woman as it is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover. Some commentators have taken this to imply that pure poetry can only be attain ed by the eradication of female beauty. [2] Biographers and critics have often suggested that Poes obsession with this theme stems from the repeated loss of women throughout his life, including his mother Eliza Poe, his foster mother Frances Allan and, later, his wife Virginia. [3] edit] The RavenIn the essay, Poe traces the logical progression of his creation of The Raven as an attempt to compose a poem that should suit at once the popular and the critical taste. He claims that he considered every aspect of the poem. For example, he purposely set the poem on a tempestuous evening, causing the raven to seek shelter. He purposefully chose a pallid bust to contrast with the dark plume of the bird. The bust was of Pallas in order to evoke the notion of scholar, to match with the presumed student narrator poring over his volume[s] of forgotten lore. No aspect of the poem was an accident, he claims, but is based on total control by the author. [4] Even the term Nevermore, he says, is ba sed on logic following the unity of effect. The sounds in the vowels in particular, he writes, have more meaning than the definition of the word itself. He had previously used words like Lenore for the same effect. The raven itself, Poe says, is meant to symbolize Mournful and Never-ending Remembrance. [5] This may imply an autobiographical significance to the poem, alluding to the many people in Poes life who had died. We will write a custom essay sample on Note for American Literature specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Note for American Literature specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Note for American Literature specifically for you FOR ONLY $16.38 $13.9/page Hire Writer THE WILD HONEYSUCKLE by: Philip Freneau (1752-1832) AIR flower, that dost so comely grow, Hid in this silent, dull retreat, Untouched thy honied blossoms blow, Unseen thy little branches greet: No roving foot shall crush thee here, No busy hand provoke a tear. By Nature’s self in white arrayed, She bade thee shun the vulgar eye, And planted here the guardian shade, And sent soft waters murmuring by; Thus quietly thy summer goes, Thy days declining to repose. Smit with those charms, that must decay, I grieve to see your future doom; They diednor were those flowers more gay, The flowers that did in Eden bloom; Unpitying frosts and Autumn’s power Shall leave no vestige of this flower. From morning suns and evening dews At first thy little being came; If nothing once, you nothing lose, For when you die you are the same; The space between is but an hour, The frail duration of flower. what philosophical meaning is implied in Phlip Freneaus The Wild Honey Suckle? in this poem the poet expressed a keen awareness of the loveliness and transience of nature. he not only meditated on mortality but also celebrated nature. t implies that life and death are inevitable law of nature, the wild honey suckleis philipfreneaus most widely read natureal lyric with the theme of transience. the central image is a nativewild flower,which makes a drastic difference from elite flower images typical of tradition english poems. the poem showed strong feelings for the natural beauty,which was the characteristic of romantic poets. :the poem was written in regular 6-line tetr ameter stanzas,rhyming:ababcc . the structure of the poem is regular,so it has the neoclassic quality of proportion and balance. lliteration ,assonance,masculine rhyme used in the poem also produce musical or melodious and harmonious,which matches the beautyof the flower,the beauty of poem is partly ambodied in the effects created through changes in the rhythm. the poem contains iambics trochaics and spondee. the arrangement of stressed and unstressed syllables suggests the transience of the life of the flower and the poets emotional change. the poem is full of sensuous images such as fair flower visual image,comely grow kinasthetic image and honeyed blossoms olfactory image. ll the images make us feel pity for the beautiful flower which has only a short life. obviously the poet is sentimental,deistic optimist. the linethe sapace is but an hourcontains a hyperbole stressing and transience of life. the tone of the poem is both sentimental and optimistic. The story of Rip Van Winkle i s set in the years before and after the American Revolutionary War. In a pleasant village, at the foot of New Yorks Kaatskill Mountains, lives the kindly Rip Van Winkle, a colonial British-American villager of Dutch descent. Rip is an amiable though somewhat hermitic man who enjoys solitary activities in the wilderness, but is also loved by all in town—especially the children to whom he tells stories and gives toys. However, a tendency to avoid all gainful labor, for which his nagging wife (Dame Van Winkle) chastises him, allows his home and farm to fall into disarray due to his lazy neglect. One autumn day, Rip is escaping his wifes nagging, wandering up the mountains with his dog, Wolf. Hearing his name being shouted, Rip discovers that the speaker is a man dressed in antiquated Dutch clothing, carrying a keg up the mountain, who requires Rips help. Without exchanging words, the two hike up to an amphitheatre-like hollow in which Rip discovers the source of previously-heard thunderous noises: there is a group of other ornately-dressed, silent, bearded men who are playing nine-pins. Although there is no conversation and Rip does not ask the men who they are or how they know his name, he discreetly begins to drink some of their liquor, and soon falls asleep. He awakes in unusual circumstances: it seems to be morning, his gun is rotted and rusty, his beard has grown a foot long, and Wolf is nowhere to be found. Rip returns to his village where he finds that he recognizes no one. Asking around, he discovers that his wife has died and that his close friends have died in a war or gone somewhere else. He immediately gets into trouble when he proclaims himself a loyal subject of King George III, not knowing that the American Revolution has taken place; George IIIs portrait on the town inn has been replaced by that of George Washington. Rip is also disturbed to find another man is being called Rip Van Winkle (though this is in fact his son, who has now grown up). The men he met in the mountains, Rip learns, are rumored to be the ghosts of Hendrick (Henry) Hudsons crew. Rip is told that he has apparently been away from the village for twenty years. An old local recognizes Rip and Rips now-adult daughter takes him in. Rip resumes his habitual idleness, and his tale is solemnly taken to heart by the Dutch settlers, with other hen-pecked husbands, after hearing his story, wishing they could share in Rips good luck, and have the luxury of sleeping through the hardships of war. Characters in the story of Rip Van Winkle Rip Van Winkle – a henpecked husband who loathes profitable labor. Dame Van Winkle – Rip Van Winkles cantankerous wife. Rip – Rip Van Winkles son. Judith Gardenier – Rip Van Winkles daughter. Derrick Van Bummel – the local schoolmaster and later a member of Congress. Nicholas Vedder – landlord of the local inn. Mr. Doolittle – a hotel owner. Wolf – Rips faithful dog The Ghosts of Henry Hudson and his crew – Ghosts that share purple magic liquor with van Winkle Themes Change With Continuity and Preservation of Tradition After Rip awakens from his long sleep and returns to the village, he does not recognize the people he encounters. But not only their faces are new but also their fashions and the look of the village: It is larger, with rows of houses he had never seen. His own house is in shambles now with no one living in it, and the inn he frequented is a hotel. His wife and old Vedder are dead. Others left the village and never came back. Everything is different, it seems; nothing is as it was. There has even been a revolutionary war in which America gained its independence from England and became a new country. However, when Rip looks beyond the village, he sees that the Hudson River and the Catskill Mountains are exactly the same as they were before his sleep. He also begins to encounter people who knew him long ago: first, the old woman, then the old man, Peter Vanderdonk, who testifies to the truth of Rip’s strange tale about the ninepin bowlers he met in the mountains. At this point in the story, Irving’s main theme begins to emerge: Although wrenching, radical changes are sometimes necessary to move society forward, such changes must not eradicate old ways and traditions entirely. Real, lasting change is an amalgam of the old and new. New builds on the foundations of the old. There must be continuity. So it is that old Vanderdonk, in confirming Rip’s tale, says he himself has heard the thunder of ninepin bowlers, who are the crewmen of The Half-Moon, the ship Henry Hudson captained in his exploration of the Hudson River. It seems that their spirits return to the Hudson Valley and Catskill Mountains every twenty years to keep a â€Å"guardian eye† on the river and its environs. Hudson was an Englishman, yes, but his association with his overthrown country does not mean the values he represents must die with the revolution. Rip also sees his son, Rip II, now a grown man, who looks just like him, and is reunited with his daughter, now a grown woman, who is holding an infant–Rip III. Thus, though, change has come to the village, their remain links with the past; there is continuity. New generations come along that bring change, but old values and traditions–as well as family lines–remain alive and thriving. And, every now and then, thunder rumbles in the Catskills when Hudson and his crew play ninepins. The Magic of the Imagination Irving’s story suggests that human imagination can can give society charming, humorous stories that become part of an enduring, magical folklore. Today, the Catskill and Hudson Valley regions well remember Rip Van Winkle and Ichabod Crane–the hero of another Irving story, â€Å"The Legend of Sleepy Hollow†Ã¢â‚¬â€œas if they were real persons. A bridge across the Hudson has even been named after Rip. Sunnyside, Irving’s Tarrytown home between 1835 and 1859, is a major tourist attraction in the Hudson Valley. Climax The climax of the story occurs when the townspeople recognize Rip after he returns to his village. The Game of Ninepins Ninepins is a game (or sport) in which a participant rolls wooden balls on a lane in an attempt to knock down nine bottle-shaped wooden pins arranged in the shape of a diamond. The participant may bowl up to three balls to knock down all the pins. Ninepins is similar to the modern sport of bowling. Personfication: The Catskills as a Character At the outset of his story, Washington Irving uses personification to invest the Catskill Mountains with human qualities. Irving tells us in Paragraph 1 that they are part of a â€Å"family,† the Appalachian family. And they are a proud, majestic member of that family, â€Å"lording it over the surrounding country. † They are also active rather than passive, reacting to the weather and the seasons with changes in their â€Å"magical hues and shapes. † In fair weather, â€Å"they are clothed in blue and purple. † But sometimes, even though the sky is cloudless, they will gather a hood of gray vapors about their summits, which, in the last rays of the setting sun, will glow and light up like a crown of glory. Making the mountains come alive enables them to become mysterious and unpredictable; they may even play tricks on those who venture within their confines. The Pioneers: The Sources of the Susquehanna; a Descriptive Tale is a historical novel, the first published of the Leatherstocking Tales, a series of five novels by American writer James Fenimore Cooper. While The Pioneers was published in 1823, before any of the other Leatherstocking Tales, the period of time it covers makes it the fourth chronologically. Plot summaryThe story takes place on the rapidly advancing frontier of New York State and features an elderly Leatherstocking (Natty Bumppo), Judge Marmaduke Temple of Templeton, whose life parallels that of the authors father Judge William Cooper, and Elizabeth Temple (based on the authors sister, Susan Cooper), of the fictional Templeton, New York. The story begins with an argument between the Judge and Leatherstocking over who killed a buck, and as Cooper reviews many of the changes to New Yorks Lake Otsego, questions of environmental stewardship, conservation, and use prevail. Leatherstocking and his closest friend, the Mohican Indian Chingachgook, begin to compete with the Temples for the loyalties of a mysterious young visitor, a young hunter known as Oliver Edwards, who eventually marries Elizabeth. Chingachgook dies, exemplifying the vexed figure of the dying Indian, and Natty vanishes into the sunset. AnalysisThe Pioneers was the first written of James Fenimore Coopers Leatherstocking series, featuring the character Natty Bumppo, a resourceful white American living in the woods. The story focuses on the evolution of the wilderness into a civilized community. The story takes place in the town of Templeton, which is said to be modeled after Cooperstown, New York. The story also has an underlying ecological theme, and is considered one of the first ecological novels. One of Cooper’s characters, Judge Temple, highlights this theme when he talks about how people will use up the very resources they depend on by destroying the forests, pigeons, and fish. The death of Chingachgook seems to be a symbol of the disappearance of the Indian population in the face of white settlement. British novelist and critic D. H. Lawrence said the novel presented â€Å"the myth of America†. Characters Illustration by Felix Octavius Carr DarleyNathaniel Natty Bumppo, aka the Leather-stocking, aka. Hawk-eye Our hero, an old hunter and patriot. He is a friend to the Indians and distrustful of civilization. (chapter 1, page 22). He was a melodious synopsis of man and nature in the West. Judge Marmaduke Temple A widower and the founder of Templeton (chapter 1, page 18) Agamemnon Aggy A slave of the Judge Elizabeth Bess Temple Daughter of the Judge and romantic interest of Oliver (chapter 5, page 66) Richard Dick Jones The cousin of the Judge (chapter 4, page 47) Squire Hiram Doolittle An architect, justice of the peace, and buddy of Dick Jones Monsieur Le Quoi A former French nobleman and now shopkeeper in Templeton (chapter 4, page 47) Major Frederick Fritz Hartmann A German settler in the area and regular visitor to the Judges house (chapter 4, page 48) The Reverend Mr. Grant An Anglican minister (chapter 4, page 48) Ben Pump, aka Benjamin Penguillan A servant to the Judge, and a former sea man who doesnt know how to swim (chapter 5, page 60) Remarkable Pettibone Housekeeper to the Judge (chapter 5, page 62) Old Brave The Temples faithful dog. Dr. Elnathan Todd The town doctor (chapter 6, page 71) Indian John, aka John Mohegan, aka Chingachgook The last of the Mohicans and Nattys faithful companion (chapter 7, page 85) Oliver Edwards, aka Young Eagle The young hunter and friend to Natty and Indian John (chapter 3, page 38) Captain and Mrs. Hollinger Owners of the inn The Bold Dragoon Squire Chester Lippet The obnoxious lawyer who talks too much when visiting the Bold Dragoon Louisa Grant The daughter of Mr. Grant, companion to Elizabeth, and the other possible love interest for Oliver Billy Kirby A lumberjack and crack-shot with a rifle (chapter 17, page 190) Squire Van der School The honest lawyer of Judge Marmaduke (chapter 25, page 277) Jotham Riddle A lazy fellow who is made a magistrate by Sheriff Jones Sir Oliver Effingham Nature is an essay written by Ralph Waldo Emerson, published anonymously in 1836. It is in this essay that the foundation of transcendentalism is put forth, a belief system that espouses a non-traditional appreciation of nature. [1] Transcendentalism suggests that divinity diffuses all nature, and speaks to the notion that we can only understand reality through studying nature. [2] A visit to the Museum National dHistoire Naturelle in Paris inspired a set of lectures delivered in Boston and subsequently the ideas leading to the publication of Nature. Many scholars identify Emerson as one of the first writers (with others, notably Walt Whitman) to develop a literary style and vision that is uniquely American, rather than following in the footsteps of Henry Wadsworth Longfellow and others who were strongly influenced by their British cultural heritage. Nature is the first significant work to establish this new way of looking at The Americas and its raw, natural environment. In England, all natural things are a reference to layers of historical events, a reflection of human beings. However, in America, all of nature was relatively new to Western Civilization with no man-made meaning. With this clean slate, as it were, Emerson was enabled to see nature through new eyes, or as he phrased it, the transparent eyeball and rebuild natures role in the world. Within this essay, Emerson divides nature into four usages; Commodity, Beauty, Language and Discipline. These distinctions define the ways by which humans use nature for their basic needs, their desire for delight, their communication with one another and their understanding of the world. [3] Henry David Thoreau had read Nature as a senior at Harvard College and took it to heart. It eventually became an essential influence for Thoreaus later writings, including his seminal Walden. In fact, Thoreau wrote Walden while living in a self-built cabin on land that Emerson owned. Their longstanding acquaintance offered Thoreau great encouragement in pursuing his desire to be a published author. [4] Emerson followed the success of this essay with a famous speech entitled The American Scholar. These two works laid the foundation for both his new philosophy and his literary career. The American Scholar was a speech given by Ralph Waldo Emerson on August 31, 1837, to the Phi Beta Kappa Society at Cambridge. He was invited to speak in recognition of his groundbreaking work Nature, published a year earlier, in which he established a new way for Americas fledgling society to regard the world. Sixty years after declaring independence, American culture was still heavily influenced by Europe, and Emerson, for possibly the first time in the countrys history, provided a visionary philosophical framework for escaping from under its iron lids and building a new, distinctly American cultural identity. Emerson uses Transcendentalist and Romantic views to get his points across by explaining a true American scholars relationship to nature. There are a few key points he makes that flesh out this vision: We are all fragments, as the hand is divided into fingers, of a greater creature, which is mankind itself, a doctrine ever new and sublime. An individual may live in either of two states. In one, the busy, divided or degenerate state, he does not possess himself but identifies with his occupation or a monotonous action; in the other, right state, he is elevated to Man, at one with all mankind. To achieve this higher state of mind, the modern American scholar must reject old ideas and think for him or herself, to become Man Thinking rather than a mere thinker, or still worse, the parrot of other mens thinking, the victim of society, the sluggard intellect of this continent. The American Scholar has an obligation, as Man Thinking, within this One Man concept, to see the world clearly, not severely influenced by traditional/historical views, and to broaden his understanding of the world from fresh eyes, to defer never to the popular cry. The scholars education consists of three pursuits:udy institutions. 1. To take action and to interact with the world; not to become the recluse thinker commenting from afar. The office [the duty] of the scholar is to cheer, to raise, and to guide men by showing them facts amidst appearances. 2. To be original and formulate ideas from many works, rather than believing any book that is read. Young Goodman Brown came forth at sunset into the st reet at Salem village; but put his head back, after crossing the threshold, to exchange a parting iss with his young wife. And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown. Dearest heart, whispered she, softly and rather sadly, when her lips were close to his ear, prithee put off your journey until sunrise and sleep in your own bed to-night. A lone woman is troubled with such dreams and such thoughts that shes afeard of herself sometimes. Pray tarry with me this night, dear husband, of all nights in the year. My love and my Faith, replied young Goodman Brown, of all nights in the year, this one night must I tarry away from thee. My journey, as thou callest it, forth and back again, must needs be done twixt now and sunrise. What, my sweet, pretty wife, dost thou doubt me already, and we but three months married? Then God bless youe! said Faith, with the pink r ibbons; and may you find all well whn you come back. Amen! cried Goodman Brown. Say thy prayers, dear Faith, and go to bed at dusk, and no harm will come to thee. So they parted; and the young man pursued his way until, being about to turn the corner by the meeting-house, he looked back and saw the head of Faith still peeping after him with a melancholy air, in spite of her pink ribbons. Poor little Faith! thought he, for his heart smote him. What a wretch am I to leave her on such an errand! She talks of dreams, too. Methought as she spoke there was trouble in her face, as if a dream had warned her what work is to be done tonight. But no, no; t would kill her to think it. Well, shes a blessed angel on earth; and after this one night Ill cling to her skirts and follow her to heaven. With this excellent resolve for the future, Goodman Brown felt himself justified in making more haste on his present evil purpose. He had taken a dreary road, darkened by all the gloomiest trees of th e forest, which barely stood aside to let the narrow path creep through, and closed immediately behind. It was all as lonely as could be; and there is this peculiarity in such a solitude, that the traveller knows not who may be concealed by the innumerable trunks and the thick boughs overhead; so that with lonely footsteps he may yet be passing through an unseen multitude. There may be a devilish Indian behind every tree, said Goodman Brown to himself; and he glanced fearfully behind him as he added, What if the devil himself should be at my very elbow! His head being turned back, he passed a crook of the road, and, looking forward again, beheld the figure of a man, in grave and decent attire, seated at the foot of an old tree. He arose at Goodman Browns approach and walked onward side by side with him. You are late, Goodman Brown, said he. The clock of the Old South was striking as I came through Boston, and that is full fifteen minutes agone. Faith kept me back a while, replied t he young man, with a tremor in his voice, caused by the sudden appearance of his companion, though not wholly unexpected. It was now deep dusk in the forest, and deepest in that part of it where these two were journeying. As nearly as could be discerned, the second traveller was about fifty years old, apparently in the same rank of life as Goodman Brown, and bearing a considerable resemblance to him, though perhaps more in expression than features. Still they might have been taken for father and son. And yet, though the elder person was as simply clad as the younger, and as simple in manner too, he had an indescribable air of one who knew the world, and who would not have felt abashed at the governors dinner table or in King Williams court, were it possible that his affairs should call him thither. But the only thing about him that could be fixed upon as remarkable was his staff, which bore the likeness of a great black snake, so curiously wrought that it might almost be seen to twist and wriggle itself like a living serpent. This, of course, must have been an ocular deception, assisted by the uncertain light. Come, Goodman Brown, cried his fellow-traveller, this is a dull pace for the beginning of a journey. Take my staff, if you are so soon weary. Friend, said the other, exchanging his slow pace for a full stop, having kept covenant by meeting thee here, it is my purpose now to return whence I came. I have scruples touching the matter thou wotst of. Sayest thou so? replied h e of the serpent, smiling apart. Let us walk on, nevertheless, reasoning as we go; and if I convince thee not thou shalt turn back. We are but a little way in the forest yet. Too far! too far! exclaimed the goodman, unconsciously resuming his walk. My father never went into the woods on such an errand, nor his father before him. We have been a race of honest men and good Christians since the days of the martyrs; and shall I be the first of the name of Brown that ever took this path and kept Such company, thou wouldst say, observed the elder person, interpreting his pause. Well said, Goodman Brown! I have been as well acquainted with your family as with ever a one among the Puritans; and thats no trifle to say. I helped your grandfather, the constable, when he lashed the Quaker woman so smartly through the streets of Salem; and it was I that brought your father a pitch-pine knot, kindled at my own hearth, to set fire to an Indian village, in King Philips war. They were my good friends, both; and many a pleasant walk have we had along this path, and returned merrily after midnight. I would fain be friends with you for their sake. If it be as thou sayest, replied Goodman Brown, I marvel they never spoke of these matters; or, verily, I marvel not, seeing that the least rumor of the sort would have driven them from New England. We are a people of prayer, and good works to boot, and abide no such wickedness. Wickedness or not, said the traveller with the twisted staff, I have a very general acquaintance here in New England. The deacons of many a church have drunk the communion wine with me; the selectmen of divers towns make me their chairman; and a majority of the Great and General Court are firm supporters of my interest. The governor and I, tooBut these are state secrets. Can this be so? cried Goodman Brown, with a stare of amazement at his undisturbed companion. Howbeit, I have nothing to do with the governor and council; they have their own ways, and are no rule for a simple husbandman like me. But, were I to go on with thee, how should I meet the eye of that good old man, our minister, at Salem village? Oh, his voice would make me tremble both Sabbath day and lecture day. Thus far the elder traveller had listened with due gravity; but now burst into a fit of irrepressible mirth, shaking himself so violently that his snake-like staff actually seemed to wriggle in sympathy. Ha! a! ha! shouted he again and again; then composing himself, Well, go on, Goodman Brown, go on; but, prithee, dont kill me with laughing. Well, then, to end the matter at once, said Goodman Brown, considerably nettled, there is my wife, Faith. It would break her dear little heart; and Id rather break my own. Nay, if that be the case, answered the other, een go thy ways, Goodman Brown. I would not for twenty old women like the one hobbling before us that Faith should come to any harm. As he spoke he pointed is staff at a female figure on the path, in whom Goodman Brown recognized a very pious and exemplary dame, who had taught him his catechism in youth, and was still his moral and spiritual adviser, jointly with the minister and Deacon Gookin. A marvel, truly, that Goody Cloyse should be so far in the wilderness at nightfall, said he. But with your leave, friend, I shall take a cut through the woods un til we have left this Christian woman behind. Being a stranger to you, she might ask whom I was consorting with and whither I was going. Be it so, said his fellow-traveller. Betake you to the woods, and let me keep the path. Accordingly the young man turned aside, but took care to watch his companion, who advanced softly along the road until he had come within a staffs length of the old dame. She, meanwhile, was making the best of her way, with singular speed for so aged a woman, and mumbling some indistinct wordsa prayer, doubtlessas she went. The traveller put forth his staff and touched her withered neck with what seemed the serpents tail. The devil! screamed the pious old lady. Then Goody Cloyse knows her old friend? observed the traveller, confronting her and leaning on his writhing stick. Ah, forsooth, and is it your worship indeed? cried the good dame. Yea, truly is it, and in the very image of my old gossip, Goodman Brown, the grandfather of the silly fellow that now is. Butwould your worship believe it? my broomstick hath strangely disappeared, stolen, as I suspect, by that unhanged witch, Goody Cory, and that, too, when I was all anointed with the juice of smallage, and cinquefoil, and wolfs bane Mingled with fine wheat and the fat of a new-born babe, said the shape of old Goodman Brown. Ah, your worship knows the recipe, cried the old lady, cackling aloud. So, as I was saying, being all ready for the meeting, and no horse to ride on, I made up my mind to foot it; for they tell me there is a nice young man to be taken into communion to-night. But now your good worship will lend me your arm, and we shall be there in a twinkling. That can hardly be, answered her friend. I may not spare you my arm, Goody Cloyse; but here is my staff, if you will. So saying, he threw it down at her feet, where, perhaps, it assumed life, being one of the rods which its owner had formerly lent to the Egyptian magi. Of this fact, however, Goodman Brown could not take c ognizance. He had cast up his eyes in astonishment, and, looking down again, beheld neither Goody Cloyse nor the serpentine staff, but his fellow-traveller alone, who waited for him as calmly as if nothing had happened. That old woman taught me my catechism, said the young man; and there was a world of meaning in this simple comment. They continued to walk onward, while the elder traveller exhorted his companion to make good speed and persevere in the path, discoursing so aptly that his arguments seemed rather to spring up in the bosom of his auditor than to be suggested by himself. As they went, he plucked a branch of maple to serve for a walking stick, and began to strip it of the twigs and little boughs, which were wet with evening dew. The moment his fingers touched them they became strangely withered and dried up as with a weeks sunshine. Thus the pair proceeded, at a good free pace, until suddenly, in a gloomy hollow of the road, Goodman Brown sat himself down on the stump of a tree and refused to go any farther. Friend, said he, stubbornly, my mind is made up. Not another step will I budge on this errand. What if a wretched old woman do choose to go to the devil when I thought she was going to heaven: is that any reason why I should quit my dear Faith and go after her? You will think better of this by and by, said his acquaintance, composedly. Sit here and rest yourself a while; and when you feel like moving again, there is my staff to help you along. Without more words, he threw his companion the maple stick, and was as speedily out of sight as if he had vanished into the deepening gloom. The young man sat a few moments by the roadside, applauding himself greatly, and thinking with how clear a conscience he should meet the minister in his morning walk, nor shrink from the eye of good old Deacon Gookin. And what c alm sleep would be his that very night, which was to have been spent so wickedly, but so purely and sweetly now, in the arms of Faith! Amidst these pleasant and praiseworthy meditations, Goodman Brown heard the tramp of horses along the road, and deemed it advisable to conceal himself within the verge of the forest, conscious of the guilty purpose that had brought him thither, though now so happily turned from it. On came the hoof tramps and the voices of the riders, two grave old voices, conversing soberly as they drew near. These mingled sounds appeared to pass along the road, within a few yards of the young mans hiding-place; but, owing doubtless to the depth of the gloom at that particular spot, neither the travellers nor their steeds were visible. Though their figures brushed the small boughs by the wayside, it could not be seen that they intercepted, even for a moment, the faint gleam from the strip of bright sky athwart which they must have passed. Goodman Brown alternately crouched and stood on tiptoe, pulling aside the branches and thrusting forth his head as far as he durst without discerning so much as a shadow. It vexed him the more, because he could have sworn, were such a thing possible, that he recognized the voices of the minister and Deacon Gookin, jogging along quietly, as they were wont to do, when bound to some ordination or ecclesiastical council. While yet within hearing, one of the riders stopped to pluck a switch. Of the two, reverend sir, said the voice like the deacons, I had rather miss an ordination dinner than to-nights meeting. They tell me that some of our community are to be here from Falmouth and beyond, and others from Connecticut and Rhode Island, besides several of the Indian powwows, who, after their fashion, know almost as much deviltry as the best of us. Moreover, there is a goodly young woman to be taken into communion. Mighty well, Deacon Gookin! replied the solemn old tones of the minister. Spur up, or we shall be late. Nothing can be done, you know, until I get on the ground. The hoofs clattered again; and the voices, talking so strangely in the empty air, passed on through the forest, where no church had ever been gathered or solitary Christian prayed. Whither, then, could these holy men be journeying so deep into the heathen wilderness? Young Goodman Brown caught hold of a tree for support, being read y to sink down on the ground, faint and overburdened with the heavy sickness of his heart. He looked up to the sky, doubting whether there really was a heaven above him. Yet there was the blue arch, and the stars brightening in it. With heaven above and Faith below, I will yet stand firm against the devil! cried Goodman Brown. While he still gazed upward into the deep arch of the firmament and had lifted his hands to pray, a cloud, though no wind was stirring, hurried across the zenith and hid the brightening stars. The blue sky was still visible, except directly overhead, where this black mass of cloud was sweeping swiftly northward. Aloft in the air, as if from the depths of the cloud, came a confused and doubtful sound of voices. Once the listener fancied that he could distinguish the accents of towns-people of his own, men and women, both pious and ungodly, many of whom he had met at the communion table, and had seen others rioting at the tavern. The next moment, so indistinct were the sounds, he doubted whether he had heard aught but the murmur of the old forest, whispering without a wind. Then came a stronger swell of those familiar tones, heard daily in the sunshine at Salem village, but never until now from a cloud of night There was one voice of a young woman, uttering lamentations, yet with an uncertain sorrow, and entreating for some favor, which, perhaps, it would grieve her to obtain; and all the unseen multitude, both saints and sinners, seemed to encourage her onward. Faith! shouted Goodman Brown, in a voice of agony and desperation; and the echoes of the forest mocked him, crying, Faith! Faith! as if bewildered wretches were seeking her all through the wilderness. The cry of grief, rage, and terror was yet piercing the night, when the unhappy husband held his breath for a response. There was a scream, drowned immediately in a louder murmur of voices, fading into far-off laughter, as the dark cloud swept away, leaving the clear and silent sky above Goodman Brown. But something fluttered lightly down through the air and caught on the branch of a tree. The you ng man seized it, and beheld a pink ribbon. My Faith is gone! cried he, after one stupefied moment. There is no good on earth; and sin is but a name. Come, devil; for to thee is this world given. And, maddened with despair, so that he laughed loud and long, did Goodman Brown grasp his staff and set forth again, at such a rate that he seemed to fly along the forest path rather than to walk or run. The road grew wilder and drearier and more faintly traced, and vanished at length, leaving him in the heart of the dark wilderness, still rushing onward with the instinct that guides mortal man to evil. The whole forest was peopled with frightful soundsthe creaking of the trees, the howling of wild beasts, and the yell of Indians; while sometimes the wind tolled like a distant church bell, and sometimes gave a broad roar around the traveller, as if all Nature were laughing him to scorn. But he was himself the chief horror of the scene, and shrank not from its other horrors. Ha! ha! ha! roared Goodman Brown when the wind laughed at him. Let us hear which will laugh loudest. Think not to frighten me with your deviltry. Come witch, come wizard, come Indian owwow, come devil himself, and here comes Goodman Brown. You may as well fear him as he fear you. In truth, all through the haunted forest there could be nothing more frightful than the figure of Goodman Brown. On he flew among the black pines, brandishing his staff with frenzied gestures, now giving vent to an inspiration of horrid blasphemy, and now shouting forth such laughter as set all the echoes of the forest laughing like de mons around him. The fiend in his own shape is less hideous than when he rages in the breast of man. Thus sped the demoniac on his course, until, quivering among the trees, he saw a red light before him, as when the felled trunks and branches of a clearing have been set on fire, and throw up their lurid blaze against the sky, at the hour of midnight. He paused, in a lull of the tempest that had driven him onward, and heard the swell of what seemed a hymn, rolling solemnly from a distance with the weight of many voices. He knew the tune; it was a familiar one in the choir of the village meeting-house. The verse died heavily away, and was lengthened by a chorus, not of human voices, but of all the sounds of the benighted wilderness pealing in awful harmony together. Goodman Brown cried out, and his cry was lost to his own ear by its unison with the cry of the desert. In the interval of silence he stole forward until the light glared full upon his eyes. At one extremity of an open space, hemmed in by the dark wall of the forest, arose a rock, bearing some rude, natural resemblance either to an alter or a pulpit, and surrounded by four blazing pines, their tops aflame, their stems untouched, like candles at an evening meeting. The mass of foliage that had overgrown the summit of the rock was all on fire, blazing high into the night and fitfully illuminating the whole field. Each pendent twig and leafy festoon was in a blaze. As the red light arose and fell, a numerous congregation alternately shone forth, then disappeared in shadow, and again grew, as it were, out of the darkness, peopling the heart of the solitary woods at once. A grave and dark-clad company, quoth Goodman Brown. In truth they were such. Among them, quivering to and fro between gloom and splendor, appeared faces that would be seen next day at the council board of the province, and others which, Sabbath after Sabbath, looked devoutly heavenward, and benignantly over the crowded pews, from the holiest pulpits in the land. Some affirm that the lady of the governor was there. At least there were high dames well known to her, and wives of honored husbands, and widows, a great multitude, and ancient maidens, all of excellent repute, and fair young girls, who trembled lest their mothers should espy them. Either the sudden gleams of light flashing over the obscure field bedazzled Goodman Brown, or he recognized a score of the church members of Salem village famous for their especial sanctity. Good old Deacon Gookin had arrived, and waited at the skirts of that venerable saint, his revered pastor. But, irreverently consorting with these grave, reputable, and pious people, these elders of the church, these chaste dames and dewy virgins, there were men of dissolute lives and women of spotted fame, wretches given over to all mean and filthy vice, and suspected even of horrid crimes. It was strange to see that the good shrank not from the wicked, nor were the sinners abashed by the saints. Scattered also among their pale-faced enemies were the Indian priests, or powwows, who had often scared their native forest with more hideous incantations than any known to English witchcraft. But where is Faith? thought Goodman Brown; and, as hope came into his heart, he trembled. Another verse of the hymn arose, a slow and mournful strain, such as the pious love, but joined to words which expressed all that our nature can conceive of sin, and darkly hinted at far more. Unfathomable to mere mortals is the lore of fiends. Verse after verse was sung; and still the chorus of the desert swelled between like the deepest tone of a mighty organ; and with the final peal of that dreadful anthem there came a sound, as if the roaring wind, the rushing streams, the howling beasts, and every other voice of the unconcerted wilderness were mingling and according with the voice of guilty man in homage to the prince of all. The four blazing pines threw up a loftier flame, and obscurely discovered shapes and visages of horror on the smoke wreaths above the impious assembly. At the same moment the fire on the rock shot redly forth and formed a glowing arch above its base, where now appeared a figure. With reverence be it spoken, the figure bore no slight similitude, both in garb and manner, to some grave divine of the New England churches. Bring forth the converts! cried a voice that echoed through the field and rolled into the forest. At the word, Goodman Brown stepped forth from the shadow of the trees and approached the congregation, with whom he felt a loathful brotherhood by the sympathy of all that was wicked in his heart. He could have well-nigh sworn that the shape of his own dead father beckoned him to advance, looking downward from a smoke wreath, while a woman, with dim features of despair, threw out her hand to warn him back. Was it his mother? But he had no power to retreat one step, nor to resist, even in thought, when the minister and good old Deacon Gookin seized his arms and led him to the blazing rock. Thither came also the slender form of a veiled female, led between Goody Cloyse, that pious teacher of the catechism, and Martha Carrier, who had received the devils promise to be queen of hell. A rampant hag was she. And there stood the proselytes beneath the canopy of fire. Welcome, my children, said the dark figure, to the communion of your race. Ye have found thus young your nature and your destiny. My children, look behind you! They turned; and flashing forth, as it were, in a sheet of flame, the fiend worshippers were seen; the smile of welcome gleamed darkly on every visage. There, resumed the sable form, are all whom ye have reverenced from youth. Ye deemed them holier than yourselves, and shrank from your own sin, contrasting it with their lives of righteousness and prayerful aspirations heavenward. Yet here are they all in my worshipping assembly. This night it shall be granted you to know their secret deeds: how hoary-bearded elders of the church have whispered wanton words to the young maids of their households; how many a woman, eager for widows weeds, has given her husband a drink at bedtime and let him sleep his last sleep in her bosom; how beardless youths have made haste to inherit their fathers wealth; and how fair damselsblush not, sweet oneshave dug little graves in the garden, and bidden me, the sole guest to an infants funeral. By the sympathy of your human hearts for sin ye shall scent out all the placeswhether in church, bedchamber, street, field, or forestwhere crime has been committed, and shall exult to behold the whole earth one stain of guilt, one mighty blood spot. Far more than this. It shall be yours to penetrate, in every bosom, the deep mystery of sin, the fountain of all wicked arts, and which inexhaustibly supplies more evil impulses than human powerthan my power at its utmostcan make manifest in deeds. And now, my children, look upon each other. They did so; and, by the blaze of the hell-kindled torches, the wretched man beheld his Faith, and the wife her husband, trembling before that unhallowed altar. Lo, there ye stand, my children, said the figure, in a deep and solemn tone, almost sad with its despairing awfulness, as if his once angelic nature could yet mourn for our miserable race. Depending upon one anothers hearts, ye had still hoped that virtue were not all a dream. Now are ye undec eived. Evil is the nature of mankind. Evil must be your only happiness. Welcome again, my children, to the communion of your race. Welcome, repeated the fiend worshippers, in one cry of despair and triumph. And there they stood, the only pair, as it seemed, who were yet hesitating on the verge of wickedness in this dark world. A basin was hollowed, naturally, in the rock. Did it contain water, reddened by the lurid light? or was it blood? or, perchance, a liquid flame? Herein did the shape of evil dip his hand and prepare to lay the mark of baptism upon their foreheads, that they might be partakers of the mystery of sin, more conscious of the secret guilt of others, both in deed and thought, than they could now be of their own. The husband cast one look at his pale wife, and Faith at him. What polluted wretches would the next glance show them to each other, shuddering alike at what they disclosed and what they saw! Faith! Faith! cried the husband, look up to heaven, and resist the wicked one. Whether Faith obeyed he knew not. Hardly had he spoken when he found himself amid calm night and solitude, listening to a roar of the wind which died heavily away through the forest. He staggered against the rock, and felt it chill and damp; while a hanging twig, that had been all on fire, besprinkled his cheek with the coldest dew. The next morning young Goodman Brown came slowly into the street of Salem village, staring around him like a bewildered man. The good old minister was taking a walk along the graveyard to get an appetite for breakfast and meditate his sermon, and bestowed a blessing, as he passed, on Goodman Brown. He shrank from the venerable saint as if to avoid an anathema. Old Deacon Gookin was at domestic worship, and the holy words of his prayer were heard through the open window. What God doth the wizard pray to? quoth Goodman Brown. Goody Cloyse, that excellent old Christian, stood in the early sunshine at her own lattice, catechizing a little girl who had brought her a pint of mornings milk. Goodman Brown snatched away the child as from the grasp of the fiend himself. Turning the corner by the meeting-house, he spied the head of Faith, with the pink ribbons, gazing anxiously forth, and bursting into such joy at sight of him that she skipped along the street and almost kissed her husband befo re the whole village. But Goodman Brown looked sternly and sadly into her face, and passed on without a greeting. Had Goodman Brown fallen asleep in the forest and only dreamed a wild dream of a witch-meeting? Be it so if you will; but, alas! it was a dream of evil omen for young Goodman Brown. A stern, a sad, a darkly meditative, a distrustful, if not a desperate man did he become from the night of that fearful dream. On the Sabbath day, when the congregation were singing a holy psalm, he could not listen because an anthem of sin rushed loudly upon his ear and drowned all the blessed strain. When the minister spoke from the pulpit with power and fervid eloquence, and, with his hand on the open Bible, of the sacred truths of our religion, and of saint-like lives and triumphant deaths, and of future bliss or misery unutterable, then did Goodman Brown turn pale, dreading lest the roof should thunder down upon the gray blasphemer and his hearers. Often, waking suddenly at midnight, he shrank from the bosom of Faith; and at morning or eventide, when the family knelt down at prayer, he scowled and muttered to himself, and gazed sternly at his wife, and turned away. And when he had lived long, and was borne to his grave a hoary corpse, followed by Faith, an aged woman, and children and grandchildren, a goodly procession, besides neighbors not a few, they carved no hopeful verse upon his tombstone, for his dying hour was gloom. Young Goodman Brown (1835) is a short story by American writer Nathaniel Hawthorne. The story takes place in 17th century Puritan New England, a common setting for Hawthornes works, and addresses the Calvinist/Puritan belief that humanity exists in a state of depravity, exempting those who are born in a state of grace. Hawthorne frequently attempts to expose the hypocrisy of Puritan culture in his literature and is an over bearing theme in several of his works. In a symbolic fashion, the story follows Young Goodman Browns journey into self-scrutiny which results in his loss of faith. Themes and styleYoung Goodman Brown is often characterized as an allegory about the recognition of evil and depravity as the nature of humanity. [4] Much of Hawthornes fiction, such as The Scarlet Letter, is set in 17th-century colonial America, particularly Salem, Massachusetts. [5] In order to convey the setting in his work, he used literary techniques such as pecific diction, or colloquial expressions, as in Young Goodman Brown in which language of the period is used to enhance the setting. Hawthorne gives the characters, specific names that depict abstract pure wholesome beliefs such as; Young Goodman Brown, and Faith. The characters names ultimately serve as a paradox in the conclusion of the story. The inclusion of this technique was to provide a definite contrast and irony. Hawthorne aims to critique the ideals of Puritan society and express his disdain for it thus illustrating the difference between the appearance of those in society and their true identities. 6] Literary scholar Walter Shear writes that Hawthorne structured the story in three parts. The first part shows Goodman Brown at his home in his village integrated in his society. The second part of the story is an extended dreamlike sequence in which Goodman Brown is in the forest for a single night. The third part shows his return to society and to his home, yet he is so profoundly changed that in rejecting the greeting of his wife Faith, Hawthorne shows Goodman Brown has lost faith and rejected the tenets of his Puritan world during the course of the night. 7] The story is about Goodman Browns loss of faith as one of the elect writes Jane Eberwein in My Faith is Gone! . Believing himself to be of the elect, Goodman Brown falls into self-doubt after three months of marriage which to him represents sin and depravity as opposed to salvation. His journey to the forest is symbolic of Christian self-exploration in which doubt immediately supplants faith. At the end of the forest experience he loses his wife Faith, his faith in salvation, and his faith in human goodness. 8] [edit] Critical response and impactHerman Melville said Young Goodman Brown was as deep as Dante and Henry James called it a magnificent little romance. [9] Hawthorne himself believed the story made no more impact than any of his tales. Years later he wrote, These stories were published in Magazines and Annuals, extending over a period of ten or twelve years, and comprising the whole of the writers young manhood, without making (so far as he has ever been aware) the slightest impression on the public. [10] Contemporary critic Edgar Allan Poe disagreed, referring to Hawthornes short stories as the products of a truly imaginative intellect. [11 ] One of Hawthornes good friends, Herman Melville comments on the underlying depth of the story you would of course suppose that it was a simple little tale, intended as a supplement to Goody Two Shoes Whereas it is as deep as Dante. 1 [12] Moderns scholars and critiques generally view the short story as an allegorical tale written to expose the contradictions in place concerning Puritan beliefs and societies. However, there have been many other interpretations of the text including those who believe Hawthorn sympathizes with Puritan beliefs. Author Harold Bloom comments on the variety of explanations; Young Goodman Brown has been presented as an allegorical revelation of human depravity, as a symbolic study of sexual initiation, as an inquiry into generational conflict, as a demonstration of Puritan hypocrisy, as evidence of Hawthorns sympathy towards Puritan society, and even just as an artfully designed short story making no essential reference beyond itself The Raven [First published in 1845] Once upon a midnight dreary, while I pondered weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. `Tis some visitor, I muttered, `tapping at my chamber door Only this, and nothing more. Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; vainly I had sought to borrow From my books surcease of sorrow sorrow for the lost Lenore For the rare and radiant maiden whom the angels named Lenore Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating `Tis some visitor entreating entrance at my chamber door Some late visitor entreating entrance at my chamber door; This it is, and nothing more, Presently my soul grew stronger; hesitating then no longer, `Sir, said I, `or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you here I opened wide the door; Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the darkness gave no token, And the only word there spoken was the whispered word, `Lenore! This I whispered, and an echo murmured back the word, `Lenore! Merely this and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. `Surely, said I, `surely that is something at my window lattice; Let me see then, what thereat is, and this mystery explore Let my heart be still a moment and this mystery explor e; Tis the wind and nothing more! Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore. Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door Perched upon a bust of Pallas just above my chamber door Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, `Though thy crest be shorn and shaven, thou, I said, `art sure no craven. Ghastly grim and ancient raven wandering from the nightly shore Tell me what thy lordly name is on the Nights Plutonian shore! Quoth the raven, `Nevermore. Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door Bird or beast above the sculptured bust above his chamber door, With such name as `Nevermore. But the raven, sitting lonely on the placid bust, spoke only, That one word, as if his so ul in that one word he did outpour. Nothing further then he uttered not a feather then he fluttered Till I scarcely more than muttered `Other friends have flown before On the morrow he will leave me, as my hopes have flown before. Then the bird said, `Nevermore. Startled at the stillness broken by reply so aptly spoken, `Doubtless, said I, `what it utters is its only stock and store, Caught from some unhappy master whom unmerciful disaster Followed fast and followed faster till his songs one burden bore Till the dirges of his hope that melancholy burden bore Of Never-nevermore. But the raven still beguiling all my sad soul into smiling, Straight I wheeled a cushioned seat in front of bird and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking `Nevermore. This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosoms core; This and more I sat divining, with my head at ease reclining On the cushions velvet lining that the lamp-light gloated oer, But whose velvet violet lining with the lamp-light gloating oer, She shall press, ah, nevermore! Then, methought, the air grew denser, perfumed from an unseen censer Swung by Seraphim whose foot-falls tinkled on the tufted floor. `Wretch, I cried, `thy God hath lent thee by these angels he has sent thee Respite respite and nepenthe from thy memories of Lenore! Quaff, oh quaff this kind nepenthe, and forget this lost Lenore! Quoth the raven, `Nevermore. `Prophet! said I, `thing of evil! prophet still, if bird or devil! Whether tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted On this home by horror haunted tell me truly, I implore Is there is there balm in Gilead? tell me tell me, I implore! Quoth the raven, `Nevermore. `Prophet! said I, `thing of evil! prophet still, if bird or devil! By that Heaven that bends above us by that God we both adore Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels named Lenore Clasp a rare and radiant maiden, whom the angels named Lenore? Quoth the raven, `Nevermore. `Be that word our sign of parting, bird or fiend! I shrieked upstarting `Get thee back into the tempest and the Nights Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken! quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door! Quoth the raven, `Nevermore. And the raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demons that is dreaming, And the lamp-light oer him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted nevermore! The Raven is a narrative poem by American writer Edgar Allan Poe, first published in January 1845. It is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a talking ravens mysterious visit to a distraught lover, tracing the mans slow descent into madness. The lover, often identified as being a student,[1][2] is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further instigate his distress with its constant repetition of the word Nevermore. The poem makes use of a number of folk and classical references. Poe claimed to have written the poem very logically and methodically, intending to create a poem that would appeal to both critical and popular tastes, as he explained in his 1846 follow-up essay The Philosophy of Composition. The poem was inspired in part by a talking raven in the novel Barnaby Rudge: A Tale of the Riots of Eighty by Charles Dickens. [3] Poe borrows the complex rhythm and meter of Elizabeth Barretts poem Lady Geraldines Courtship, and makes use of internal rhyme as well as alliteration throughout. The Raven was first attributed to Poe in print in the New York Evening Mirror on January 29, 1845. Its publication made Poe widely popular in his lifetime, though it did not bring him much financial success. Soon reprinted, parodied, and illustrated, critical opinion is divided as to the poems status, though it remains one of the most famous poems ever written The Raven follows an unnamed narrator who sits reading forgotten lore[6] as a method to forget the loss of his love, Lenore. A rapping at [his] chamber door[6] reveals nothing, but excites his soul to burning. [7] A similar rapping, slightly louder, is heard at his window. When he goes to investigate, a raven steps into his chamber. Paying no attention to the man, the raven perches on a bust of Pallas. Amused by the ravens comically serious disposition, the man demands that the bird tell him its name. The ravens only answer is Nevermore. [7] The narrator is surprised that the raven can talk, though it says nothing further. The narrator remarks to himself that his friend the raven will soon fly out of his life, just as other friends have flown before[7] along with his previous hopes. As if answering, the raven responds again with Nevermore. 7] The narrator reasons that the bird